headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49677


Submissions

4
China Cat Sunflower -> I Know You Rider
June 6, 1970
Fillmore West

Short Cat, but very interesting transition, with Bobby driving in all his angular beauty, followed by a tight jamming Rider.
2
Mama Tried
June 5, 1970
Fillmore West

Want to here the '70 sound, the closeness, the transition from psychedlicore to country to arena rock? Here it is in all its chaotic beauty.
4
Cold Rain and Snow
June 5, 1970
Fillmore West

Like everything from this epic heady show, the boys are just exactly perfect. The vocals are so on. Jerry sounds great.
3
New Speedway Boogie
June 5, 1970
Fillmore West

With the exception of the unfortunate tape flip, this is a pristine acoustic version. Jerry has the vox of an angel here.
3
Friend of the Devil
June 5, 1970
Fillmore West

Pure and perfect. Fans of '70 will already love it. Those discovering the acoustic Dead, here it is. Wow.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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