headyversion

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Carrion_Crow

Stealth Head

+49677


Submissions

2
Candyman
April 9, 1970
Fillmore West

2nd one ever, and doesn't flow perfectly yet. They're working out the lovely 3-part harmonies and it's just fantastic transitional Dead.
1
Deep Elem Blues
April 9, 1970
Fillmore West

Sweetness in the '70 acoustic key. Confusing setlist/archive on this show, but worth a listen.
5
Mama Tried
Feb. 14, 1970
Fillmore East

In spite of a bit of tape wobble, this is an otherwise pristine version, with everyone keyed up right. A tight solo and a fun time.
5
Friend of the Devil
April 3, 1970
Field House, U. of Cincinnati

Fast acoustic pickin' with alternative lyrics. Sounds almost like a 12-string in places. Is that possible?
6
St. Stephen
March 24, 1970
Pirates World

All the power and, let's admit it AMBIVALENCE by our boys is on here. They flub the lyrics but bigbang the jam. We are the answer to the answer, man.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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