headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49682


Submissions

4
Long Black Limousine
Jan. 31, 1970
The Warehouse

Showcases their versatility: Switched mid-way through an electric set into this moody beauty after Phil's amp blew out. Gorgeous.
3
Hard to Handle
Jan. 31, 1970
The Warehouse

More like the great '71s than the others from 1970. A hard enough rocker that it apparently nuked Phil's amp, leading to a wonderful acoustic set.
10
Dire Wolf
Jan. 31, 1970
The Warehouse

Introduced as a "paranoid fantasy song", but oh so sweet for all that. Perfect rendition.
13
Not Fade Away
Oct. 3, 1976
Cobo Arena

Part of an epic jam, plus an enormous China Cat tease at 10:45 in a 5-year spell without them. Very interesting groove, too.
7
Mason's Children
Jan. 31, 1970
The Warehouse

For anyone with a soft spot for psychedelic bubblegum, the jam the shit out of this one. Ruff cut in the middle though.

Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?