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Carrion_Crow

Stealth Head

+49707


Submissions

4
Tennessee Jed
Oct. 24, 1971
Easttown Theatre

Muscular and punchy. Jer sings it right on: kicked my eye and kicked my dog, midnight train. Energy reigns.
1
Goin' Down The Road Feelin' Bad
Oct. 23, 1971
Easttown Theatre

Contains everything and could stand alone as an epic GDTRFB, even as part of its trad NFA sammy. Great speed work from everyone, builds and builds.
2
Tennessee Jed
Oct. 23, 1971
Easttown Theatre

"Kicked my eye and he blacked my dog". Like others this night, the vibe is aggressive and rowdy, knifey jagged soloing, this one's a killer.
4
Me and My Uncle
Oct. 23, 1971
Easttown Theatre

Introduced as"kind of a death and destruction song", which tells you all you need to know.
2
Cumberland Blues
Oct. 23, 1971
Easttown Theatre

Outrageous, hot, and pumped up. Should have been of this list a long time ago.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.