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Carrion_Crow

Stealth Head

+49712


Submissions

3
Good Lovin'
April 21, 1971
Rhode Island Auditorium

Insights and meditations on life love and picking up hookers from the great one. See his mind at work, jump on the wagon and ride.
9
Hard to Handle
April 18, 1971
Lusk Field House - State University Of New York

Overlooked gritty superfunk. Bobby solos, then Jerry takes him to school. Phil, meanwhile is nuking the world big time.
6
Goin' Down The Road Feelin' Bad
April 17, 1971
Dillon Gym

Subtle and musical, slithers its way into an epic Lovelight. Nicely different from others of the era, no NFA sandwich.
7
Hard to Handle
April 14, 1971
Davis Gym, Bucknell University

Another raging inferno. Benefits enormously from a great mix where everyone's audible and you hear Bobby's part. Hot stuff.
3
Wharf Rat
July 25, 1972
Paramount Theater

Carries forward the intensely creative force of the TOO before it. A glory.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.