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Carrion_Crow

Stealth Head

+49712


Submissions

4
Not Fade Away
April 7, 1971
Boston Music Hall

The jam before is listed as a controlled mind-altering substance in 92 countries, but its cut on the archive is the cruelest thing I know.
3
Casey Jones
April 7, 1971
Boston Music Hall

Intense, driving energy. Phil belts out the chorus like his life depends on it.
3
China Cat Sunflower -> I Know You Rider
April 7, 1971
Boston Music Hall

CCS is supremely tight, with a bit of that '69 magic sound to it, and IKYR rocks. Followed by a Stephen, so maybe some nostalgia? Sounds great.
2
Hard to Handle
April 4, 1971
Manhattan Center

Great 'Bobby segment', as his solo has come to be known. Whole show overshadowed by the outrageous monster the next day, but still great fun.
3
Sugar Magnolia
March 24, 1971
Winterland Arena

Actually one god-dammned hard rockin' blast-off: Uptempo and hardcore.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.