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Carrion_Crow

Stealth Head

+49712


Submissions

3
Cumberland Blues
March 18, 1971
Fox Theatre

Toe-tappin' and up-tempo with great vocals - Phil sounds amazing on the out chorus. Fun stuff!
7
Me and My Uncle
March 18, 1971
Fox Theatre

As clear and pure an example of MAMU you'll ever here.
4
Me and Bobby McGee
March 14, 1971
Camp Randall Field House

Absolutely gorgeous harmonies and a nice crisp sound.
4
Turn On Your Love Light
Feb. 24, 1971
Capitol Theater

The last 35 min of this show are just beautiful. From NFA till the end it's just smooth sailing goddamned good times Grateful Dead. Enjoy.
3
Good Lovin'
Feb. 24, 1971
Capitol Theater

No Pig rap or sonic dose of the clap like others from the era, a a glorious slow-boiling jam over 18 minutes well worth the listen.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.