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Carrion_Crow

Stealth Head

+49712


Submissions

6
Good Lovin'
Aug. 26, 1971
Gaelic Park

Doesn't go into a cool rap, like some '71s, but pretty f-in tight jam and a great mix, with everyone sounding great.
11
Hard to Handle
Aug. 26, 1971
Gaelic Park

Last one with Pig: A blasting sexy swagger with slow rising force like the Palladium one up top here. Listen past the tape problems and slow start.
3
Big Railroad Blues
Aug. 26, 1971
Gaelic Park

As good an introduction to '71 as you'll ever hear. Someone else help me here or I'm going to list every song in this show!
3
Sugaree
Aug. 26, 1971
Gaelic Park

Still brand new (7th ever) and it's got a lot of pump to it. This whole show is a forgotten treasure. C. Miller cleanup much improves the others.
13
Bertha
Aug. 26, 1971
Gaelic Park

As sweet and solid as they come: Opens a wonderful summer outdoor show in NYC. Surprised it isn't here yet.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.