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Carrion_Crow

Stealth Head

+49737


Submissions

3
Deep Elem Blues
April 13, 1982
Letterman

Sweet version with just Bob and Jerry for the David Letterman Show. Funny interviews + a Monkey & the Engineer. On YouTube. Jer outsmarts David L.
3
Playin' In The Band
April 5, 1971
Manhattan Center

'71 Playin's are a special kind of love: nothing like what it became, a clang machine 10/4 poppin' country yodel. This one knocks my socks off.
4
Weather Report Suite
Nov. 19, 1972
Hofheinz Pavilion

The Prelude only, but really it's a thematic and 2nd meltdown to the mind-blowing Dark Star. Under certain circumstances this one could be dangerous.
12
Nobody's Fault But Mine
July 29, 1974
Capitol Center

A seamless sweet groove - into a very cool TOO. This show doesn't get enough love - all Summer '74 is hot, but this is a real corker.
10
Deal
July 29, 1974
Capitol Center

Some of the best boogie-woogie cowboy barroom stride piano from Keith here.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.