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Carrion_Crow

Stealth Head

+49737


Submissions

17
Scarlet Begonias
July 29, 1974
Capitol Center

Everything's perfect and beautiful in this one. Can we just say "All Scarlets from Summer '74 are epically heady", cause I don't know a bad one.
16
Playin' In The Band
July 27, 1974
Civic Center

As brilliant an example of Billy K's genius as I know on the Archive. Great meltdown, too. Put it in the same category as 02.12.73. It's that good.
8
Me and Bobby McGee
July 27, 1974
Civic Center

Starts simply enough, then around the four-minute mark just explodes into a beautiful carnival funride of musical unity and sweet sweet soul.
4
It Must Have Been The Roses
July 27, 1974
Civic Center

Very sweet and right out of a grooving MHUT. Summer '74 is chock-full of goodness, and this Roses doesn't disappoint one little bit.
15
Row Jimmy
Feb. 15, 1973
Dane County Coliseum

2nd ever, very interesting. Sounds like they're working out the feel, quite uptempo almost rocksteady (not reggae, yo) beat.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.