headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49742


Submissions

2
Candyman
July 30, 1970
The Matrix

Mysterious beauty under the B- sound quality (Phil sounds kinda like a tuba, which is cool). Beautiful vocal harmonies and break in the middle.
9
Truckin'
Aug. 24, 1972
Berkeley Community Theatre

Massive driving groove leading straight into one of the top DS of all time. My ears hear a flirt with NFBM jam that never quite hatches.
16
Uncle John's Band
June 30, 1974
Civic Center

Sweetness and light insight a wickedly melting Playin' sandwich. Pretty, gentle harmonies found somewhere out there the deep dark chaos. Tight sound.
8
Truckin'
June 30, 1974
Civic Center

Long exploratory solos, smouldering jams, cool interplay. Won't blow you off your chair but very inventive and interesting.
7
Space
June 30, 1974
Civic Center

Seastones: Completely wild and rises to a freaky climax. May cause brain blisters. Not for children.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.