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Carrion_Crow

Stealth Head

+49652


Submissions

9
St. Stephen
June 27, 1969
Veterans Auditorium

Worth it for the stoned giggles after the cannon shot alone. Part of a great '69 show filled with rare gems.
5
Casey Jones
June 27, 1969
Veterans Auditorium

2nd ever, with a long cool intro that sounds a bit like Row Jimmy. This one's a beaut from a show full of great rarities (Slewfoot opener!).
2
Me and My Uncle
June 27, 1969
Veterans Auditorium

Slow, clear version from a beautiful show placed right between the primal psychedelia and the emerging country Dead. Check it out.
6
Turn On Your Love Light
Feb. 20, 1971
Capitol Theater

Buried under some sound quality issues is a 25 minute epic with massive jams and a dollar and quarter Pig rap for the ages.
3
Caution
Feb. 5, 1970
Fillmore West

This will chop you into tiny pieces and put you back together again. Ballsy dark Dead from a cool show.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.