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Carrion_Crow

Stealth Head

+49667


Submissions

15
Playin' In The Band
July 18, 1972
Rossevelt Stadium

Hard-driver with intense 10/4 jamming throughout. Phil and Billy give it extra oomph. Great mix with Keith and Jer up front and clear.
4
China Cat Sunflower -> I Know You Rider
July 18, 1972
Rossevelt Stadium

One of those rare ones where China Cat plods a bit and they move into a blazing hot Rider. Great show all around, too.
19
Candyman
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

Keith plays beautifully on this.
7
Brown Eyed Women
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

Like with all Winter '73s the band is in excellent form. Bobby's slashing chords behind Big Jer just make this one an uptempo gem.
8
Me and Bobby McGee
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

Sweet and lovely. Jerry's virtuoso fillagree behind Bobby's smooth-as-smoke vocals just slay me here.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.