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Carrion_Crow

Stealth Head

+49667


Submissions

5
Playin' In The Band
Sept. 26, 1973
War Memorial

Eclectic melodicism and mood shifts make this beauty at times sound like outer space, at times like a bossa sunrise on the beach. A '73 gem.
5
Brown Eyed Women
Sept. 26, 1973
War Memorial

Sweet and tight. Soulful vocals and - if I'm not wrong - Phil singing harmony (???). A great show from the fall '73 tour.
12
Playin' In The Band
Sept. 26, 1972
Stanley Theatre

Sweet version with long Jer and Bobby double solo. Hits all the '73 highs: tight, long jam, with lots of Jerry's fast-mellow and space bugs.
4
Let It Grow
Sept. 24, 1973
Civic Arena

Bobby's neck vein-poppin vocals and Phil's full-throttle power make this a great one. Sept.'73 horns are low in the mix for a cool live/studio effect.
7
Mississippi Halfstep Uptown Toodeloo
Sept. 24, 1973
Civic Arena

Steady rockin' version with beautiful outro.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.