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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

3
Tennessee Jed
Sept. 11, 1973
William and Mary College Hall

Solid grooving version. Jerry's final solo builds up nicely.
13
China Cat Sunflower -> I Know You Rider
Sept. 8, 1973
Nassau Coliseum

China Cat is a slow, bumpy, and chaotic mess, quickly ended. Follows a beautiful Feeling Groovy and long Rider. Good to see the boys quick recovery!
15
China Doll
Sept. 8, 1973
Nassau Coliseum

Very sweet and sorrowful. A beautiful version.
5
Let It Grow
Sept. 8, 1973
Nassau Coliseum

Tighter and a wee bit faster than the previous night's debut, played with more confidence and just exactly perfect.
9
Jack Straw
Sept. 8, 1973
Nassau Coliseum

Sweet version, very tight and mellow groove: Love the 70's outlaw buddy-pic vibe.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.