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Carrion_Crow

Stealth Head

+49667


Submissions

20
China Cat Sunflower -> I Know You Rider
July 1, 1973
Universal Amphitheatre

Rock-solid China with Jerry twisting and pulling its melodic basis throughout a great solo + great Feeling Groovy trans. into Rider.
16
Me and My Uncle
July 1, 1973
Universal Amphitheatre

By far the most snarlingly bad-assed version of 1973. Jer's lines it up and shoots it down, soloing intesely throughout the whole song.
24
Playin' In The Band
July 1, 1973
Universal Amphitheatre

25 minutes of nirvana. Absolutely everything a Playin' fan could look for - with that strange summer '73 blissed-out "intense mellow".
13
Dark Star
June 30, 1973
Universal Amphitheatre

Mellow jam leading to a slow simmert, then boils and finally melts down brilliantly into a pristine Eyes. Why isn't this here yet?
3
El Paso
June 30, 1973
Universal Amphitheatre

Cowboy Bob and the Mexican Maiden at high speed rip-roaring tempos. Great bursting energy.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.