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Carrion_Crow

Stealth Head

+49667


Submissions

11
Let It Grow
June 3, 1976
Paramount Theatre

How is this not here?!? Shoots out of cannon at light speed (after a slooooooow '76 Wharf Rat).
6
China Doll
May 13, 1973
Iowa State Fairgrounds

China Doll always helped bring us back down. Listen to this one coming after 62+ minutes of high-powered jamming and fully comprehend its beauty.
2
Brown Eyed Women
May 13, 1973
Iowa State Fairgrounds

A beauty. Jer's vocals are spot on. Gears up for a mega-epic 2nd half of the set. Listen through the hiss on the archive and enjoy.
18
Playin' In The Band
May 13, 1973
Iowa State Fairgrounds

28 minutes of groove. Playin' at its finest - but the hiss on the archive version is bad. C. Miller cleaned up part of this show - keep going sir!
11
Here Comes Sunshine
May 13, 1973
Iowa State Fairgrounds

Never a bad '73 version: Listen through the hiss (headphones, folks) for a diamond in the rough. Apparently a rainbow emerged during it, really.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.