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Carrion_Crow

Stealth Head

+49667


Submissions

9
New Potato Caboose
Dec. 7, 1968
Bellarmine College

Long crystal clear Jerry solos throughout and a great recording for '68. Gets tighter throughout the jam.
9
The Other One
Dec. 7, 1968
Bellarmine College

Fast, reckless, and smokin' hot. A must have for fans of '68 and all its psychedelic glory. Goes into a nice best New Potato Caboose too.
9
Dark Star
Dec. 7, 1968
Bellarmine College

Succinct and powerful. A nice '68 set starting (!) with Dark Star and Stephen. Mellow.
74
Playin' In The Band
June 22, 1973
Pacific Coliseum

Great extended spacey jam. Check out around 05:10 - 05:40 for what sounds impossibly like a FTM tease. PHIL !
8
Dancin' in the Streets
Dec. 31, 1971
Winterland Arena

Jerry's on fire in this show opener. Not my favorite song, but just a rippin' version here. Wish I could have been there....

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.