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Carrion_Crow

Stealth Head

+49667


Submissions

3
Greatest Story Ever Told
Oct. 27, 1972
Veterans' Memorial Hall

Electrifying set opener (I think) that shows off that St. St. connection brilliantly.
1
Me and Bobby McGee
Oct. 27, 1972
Veterans' Memorial Hall

Jerry's backup vocals give this one sweet emotion. Chronically under-appreciated song.
4
China Cat Sunflower -> I Know You Rider
Oct. 26, 1972
Music Hall

Tight, nice CC. Seems like 1st moment of the set the band is firing on all cylinders. Trans. stretches to great IKYR.
4
Bird Song
Oct. 26, 1972
Music Hall

Compelling version with Jerry exploring new ideas. It doesn't quite soar like other Fall '72s, but still stretches out and worth a close listen.
4
Truckin'
Oct. 24, 1972
Performing Arts Center

Pity the SQ is so flat, as this one cooks up nice and hot, with some extra melodicism in the outro jam before D>TOO. This show needs a SBD infusion.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.