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Carrion_Crow

Stealth Head

+49667


Submissions

1
Me and Bobby McGee
March 22, 1972
Academy of Music

Billy's high in the mix, and he drives. A perfect snapshot, with Bobby's sweet young voice in perfect form and a solid driven pulse throughout.
3
Mister Charlie
March 22, 1972
Academy of Music

High-voltage and up tempo shuffle. Great sounding C. Miller cleanup.
3
Goin' Down The Road Feelin' Bad
March 21, 1972
Academy of Music

They push the energy up and up and up. Special transition into OMSN. An all-round high voltage jamming show. Underrated.
5
Big Railroad Blues
March 21, 1972
Academy of Music

High energy, shitkickingly good. The energy in this is off the charts.
2
Good Lovin'
March 21, 1972
Academy of Music

Pig on a ferocious rampage, the band sizzling hot behind him, and all this in the first set. This show deserves more love.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.