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Carrion_Crow

Stealth Head

+49667


Submissions

3
Cold Jordan
Sept. 17, 1970
Fillmore East

The tape quality is low, but the band was completely on in an historically important and beautiful show. Completists only AUD is C-, you're warned.
4
Easy Wind
Aug. 19, 1970
Fillmore West

Undoubtedly one of the greats. Everyone is on. Bobby solos, then Jerry schools the world, then at 7:03 sounds like D. Crosby steps in like Godzilla.
3
Friend of the Devil
Aug. 19, 1970
Fillmore West

Early uptempo, shitkickingly good. These first ones are all worth mentioning. This one is fast and good bluegrass.
3
The Other One
Aug. 18, 1970
Fillmore West

Fast and furious acid rush here. That they could go from bluegrass sweetness to this hard rock monster in one night is testament to their huge range.
6
New Speedway Boogie
Aug. 18, 1970
Fillmore West

Pure version, with just the right amount of menace and swagger. A great jam here too. Check it out.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.