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Carrion_Crow

Stealth Head

+49667


Submissions

4
Dire Wolf
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

A little triumph here. Acoustic intimacy from a brilliant great of a show.
2
Mama Tried
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

Like all your best friends sitting around the campfire, strumming and pickin' by starlight. Have a sip or a toke and enjoy....
4
Friend of the Devil
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

Really lovely here, part of one of the warmest, most intimate acoustic sets of 1970.
3
Not Fade Away
July 16, 1970
Euphoria Ballroom

Jerry and Bob bite down hard and tear into this one with muscle. Their interplay lightens up and whoops! We find ourselves in Stephen.
3
Candyman
July 16, 1970
Euphoria Ballroom

Anthemic beauty. Great ensemble singing and powerful pacing to it. Then Janis steps on stage for Love Light, so there's that.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.