Or maybe the 12th. Who cares. It's simply beautiful.

Totally free. There are Mountain Jam themes, met with Stephen Jams, then Bid You Goodnight themes. Seems they couldn't get enough. Good stuff.

The CC and transition soar, and part of an Alligator>D>TOO>Attisc>TOO>C.Ch.>Good Lovin'>D.>China>Rider>Good Lovin' über set. Rider is cut, tho.

The single best transition into Cosmic Charlie (from TOO) that I know of. From an era when they still meant it as a psychedelic anthem... Love this.

Forgotten show with a high-voltage and energetic jam, intersected with a sweet Attics. Great show, low quality AUD.

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.

Hard driving 18-wheeler here, folks.

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.