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Carrion_Crow

Stealth Head

+49677


Submissions

5
Mama Tried
May 15, 1970
Fillmore East (Late Show)

With the NRPS and ridiculously perfect. Perfect vocals and Jerry's '70 pedal steel sound. Amazing.
6
Good Morning Little Schoolgirl
May 14, 1970
Merramec Community College

Tight version, excellent Pig harp solo, then Jerry on bottle neck? Is that a slide? It's freakin' awesome, and the strong pulse makes it excellent.
4
Good Lovin'
May 14, 1970
Merramec Community College

Aight, we're going to just big up this whole show. This is delicious eat-me goo. Damn. May '70 is prime love. Dig the great recording too.
4
High Time
May 14, 1970
Merramec Community College

The vocals throughout this show are sublime. This is the era of three-part harmony. They were just so fresh, and every moment is a treat. Enjoy.
3
China Cat Sunflower -> I Know You Rider
May 14, 1970
Merramec Community College

Crystal clear version, not sure why it's been overlooked. Beautiful vocals, great recording, indicative of the transition sound of the era.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.