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Carrion_Crow

Stealth Head

+49667


Submissions

3
Born Cross Eyed
Feb. 3, 1968
Crystal Ballroom

Wild and scrambled with lots of hooting and yelping. Lots of scary fun on this rare gem folks, with a Spanishy jam at the end.
5
China Cat Sunflower
Feb. 3, 1968
Crystal Ballroom

Killer power bridging Dark Star into an atomic The Eleven. Not kidding, but all the early ones belong up here to spread more heads into '68 Dead.
8
Not Fade Away
Feb. 11, 1970
Fillmore East

High-energy and very tight. Opens (?) an immortal show with a big bang. Great clear sound quality, too.
5
The Other One
Feb. 11, 1970
Fillmore East

Super-charged, but unfortunately incomplete. From the era when TOO took over from Cryptical, but this reprise has surprising power: PHIL.
3
Cold Rain and Snow
Dec. 28, 1969
International Speedway

Explosive and uptempo with a high-pressure energy that blows the tubes.
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Comments

Uncle John's Band
Aug. 24, 1972
Berkeley Community Theatre

The energy and drive on this is unparalleled. The outro(s) are just phenomenal, and all after hours of high-velocity, outer-spheres-crazy creative jamming: The finest band in the land indeed.
Ramble On Rose
Aug. 24, 1972
Berkeley Community Theatre

Convincing, up-tempo pulse to it. Never lags, as some RoRs do.
Sugar Magnolia
Aug. 24, 1972
Berkeley Community Theatre

Has the rhythm and thrust of an 18-wheeler cruising 85 m.p.h. If this doesn't get you out of your chair to dance, then nothing will.
Morning Dew
Aug. 24, 1972
Berkeley Community Theatre

This DS>Dew is as sublime an arc as I know in the whole oeuvre. The whole range of whisper to cataclysm is on display. Jerry's voice is also in great shape, and the whole thing seems unworldly.
Brown Eyed Women
Aug. 24, 1972
Berkeley Community Theatre

You got that right, Glyn. This whole show could have gone straight to vinyl. The highlights from this Berkeley run are top '72 (says a hell of a lot), and just Peak Dead all around.
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