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Carrion_Crow

Stealth Head

+49667


Submissions

7
Around and Around
Sept. 26, 1972
Stanley Theatre

Usually a toss-off for me, and maybe it's Chuck Berry's passing that makes me think of it, but this version kicks serious ass. Deliberate and strong.
10
Bird Song
Sept. 26, 1972
Stanley Theatre

Crisp, articulate, deliberate. This is as strong a statement about what this song could be in '72 as I know. Airplay levels of concision.
7
Cold Rain and Snow
Sept. 26, 1972
Stanley Theatre

Always loved this one early in the first set, 'cause it meant the boys meant business. This one has a loose, comfortable sound, but with high energy.
8
Bertha
Sept. 24, 1972
Palace Theatre

Masterclass from the Philzone here. He tears this one up.
9
Loser
Sept. 24, 1972
Palace Theatre

Driven version. Purposeful, biting, and strong, with a high-tension wire energy. They meant business.

Comments

Uncle John's Band
Aug. 24, 1972
Berkeley Community Theatre

The energy and drive on this is unparalleled. The outro(s) are just phenomenal, and all after hours of high-velocity, outer-spheres-crazy creative jamming: The finest band in the land indeed.
Ramble On Rose
Aug. 24, 1972
Berkeley Community Theatre

Convincing, up-tempo pulse to it. Never lags, as some RoRs do.
Sugar Magnolia
Aug. 24, 1972
Berkeley Community Theatre

Has the rhythm and thrust of an 18-wheeler cruising 85 m.p.h. If this doesn't get you out of your chair to dance, then nothing will.
Morning Dew
Aug. 24, 1972
Berkeley Community Theatre

This DS>Dew is as sublime an arc as I know in the whole oeuvre. The whole range of whisper to cataclysm is on display. Jerry's voice is also in great shape, and the whole thing seems unworldly.
Brown Eyed Women
Aug. 24, 1972
Berkeley Community Theatre

You got that right, Glyn. This whole show could have gone straight to vinyl. The highlights from this Berkeley run are top '72 (says a hell of a lot), and just Peak Dead all around.