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Carrion_Crow

Stealth Head

+49677


Submissions

4
Easy Wind
July 12, 1970
Fillmore East

Great harp solo, solid smoldering jam. Pig's voice is brilliant.
5
Rosalie McFall
July 12, 1970
Fillmore East

A sweet and subtle acoustic gem, with some of the NRPS boys.
3
Katie Mae
July 12, 1970
Fillmore East

So deep. The crowd interaction is brilliant, and Pig just scoops everyone right up. The AUD funkiness just adds that extra depth.
3
Candyman
July 12, 1970
Fillmore East

One of the midnight shows that confuse historians, but one of the sweet-harmony Candymans that just slay me. No confusion there.
14
Dire Wolf
Dec. 19, 1973
Curtis Hixon Convention Hall

Distinctly slower groove than others, like they were trying something new with it. Does it work? Not sure, but an interesting take on it.

Comments

Uncle John's Band
Aug. 24, 1972
Berkeley Community Theatre

The energy and drive on this is unparalleled. The outro(s) are just phenomenal, and all after hours of high-velocity, outer-spheres-crazy creative jamming: The finest band in the land indeed.
Ramble On Rose
Aug. 24, 1972
Berkeley Community Theatre

Convincing, up-tempo pulse to it. Never lags, as some RoRs do.
Sugar Magnolia
Aug. 24, 1972
Berkeley Community Theatre

Has the rhythm and thrust of an 18-wheeler cruising 85 m.p.h. If this doesn't get you out of your chair to dance, then nothing will.
Morning Dew
Aug. 24, 1972
Berkeley Community Theatre

This DS>Dew is as sublime an arc as I know in the whole oeuvre. The whole range of whisper to cataclysm is on display. Jerry's voice is also in great shape, and the whole thing seems unworldly.
Brown Eyed Women
Aug. 24, 1972
Berkeley Community Theatre

You got that right, Glyn. This whole show could have gone straight to vinyl. The highlights from this Berkeley run are top '72 (says a hell of a lot), and just Peak Dead all around.