headyversion

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Carrion_Crow

Stealth Head

+49687


Submissions

3
Hurts Me Too
Feb. 8, 1970
Fillmore West

Swamp blooze. Pigpen was well on this night.
4
Black Peter
Feb. 7, 1970
Fillmore West

Starts a bit rough, but the final solo and out chorus builds and builds into a blazing triumph.
6
Sawmill
Feb. 7, 1970
Fillmore West

Enter the pedal steel. Goddamned sweet sounds here. It's unfortunately cut off, but worth every precious second.
4
Turn On Your Love Light
Feb. 6, 1970
Fillmore West

Pure '70 Dead. Like the HH before, this one grows steadily up to the full berserk, rather than exploding from go. Pig/Bobby outro is immortal.
7
High Time
Feb. 6, 1970
Fillmore West

Gorgeous harmonising and soulful singing. A clean, strong version that never drags.
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Comments

Uncle John's Band
Aug. 24, 1972
Berkeley Community Theatre

The energy and drive on this is unparalleled. The outro(s) are just phenomenal, and all after hours of high-velocity, outer-spheres-crazy creative jamming: The finest band in the land indeed.
Ramble On Rose
Aug. 24, 1972
Berkeley Community Theatre

Convincing, up-tempo pulse to it. Never lags, as some RoRs do.
Sugar Magnolia
Aug. 24, 1972
Berkeley Community Theatre

Has the rhythm and thrust of an 18-wheeler cruising 85 m.p.h. If this doesn't get you out of your chair to dance, then nothing will.
Morning Dew
Aug. 24, 1972
Berkeley Community Theatre

This DS>Dew is as sublime an arc as I know in the whole oeuvre. The whole range of whisper to cataclysm is on display. Jerry's voice is also in great shape, and the whole thing seems unworldly.
Brown Eyed Women
Aug. 24, 1972
Berkeley Community Theatre

You got that right, Glyn. This whole show could have gone straight to vinyl. The highlights from this Berkeley run are top '72 (says a hell of a lot), and just Peak Dead all around.
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