headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

11
Let It Grow
June 3, 1976
Paramount Theatre

How is this not here?!? Shoots out of cannon at light speed (after a slooooooow '76 Wharf Rat).
6
China Doll
May 13, 1973
Iowa State Fairgrounds

China Doll always helped bring us back down. Listen to this one coming after 62+ minutes of high-powered jamming and fully comprehend its beauty.
2
Brown Eyed Women
May 13, 1973
Iowa State Fairgrounds

A beauty. Jer's vocals are spot on. Gears up for a mega-epic 2nd half of the set. Listen through the hiss on the archive and enjoy.
18
Playin' In The Band
May 13, 1973
Iowa State Fairgrounds

28 minutes of groove. Playin' at its finest - but the hiss on the archive version is bad. C. Miller cleaned up part of this show - keep going sir!
11
Here Comes Sunshine
May 13, 1973
Iowa State Fairgrounds

Never a bad '73 version: Listen through the hiss (headphones, folks) for a diamond in the rough. Apparently a rainbow emerged during it, really.
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Comments

Sugaree
Aug. 21, 1972
Berkeley Community Theater

Tighter and stronger than a lot of the gnarly 15+ minute versions out there: This is a solid sweet rocker with a swinging pulse and just enough swagger.
He's Gone
Aug. 21, 1972
Berkeley Community Theater

This and the two versions right before are just top shelf. Seems like they'd hit a stride on He's Gone and enjoyed working it up to a higher level. The concentrated greatness reminds me somehow of Wharf Rat in the summer of '74 (if you don't know, then do please go and check that out...), or Dancing in the Streets in Fall '76.
Friend of the Devil
Aug. 21, 1972
Berkeley Community Theater

A funny mix, but it does allow you to hear Keith's master-class in honkytonk, which was too often a bit hidden in the SBDs of this era.
Black Throated Wind
Aug. 21, 1972
Berkeley Community Theater

May just be my favorite version. This one has it all.
The Other One
Aug. 20, 1972
San Jose Civic Auditorium

Listen to this now. Criminally under-rated here, maybe owing to the show's bad sound for the first tracks. This is a brilliant, exploratory and melodic jam that should be much more well-known. The AUD patch does not detract from the overall power of this one.
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