headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49677


Submissions

4
Dire Wolf
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

A little triumph here. Acoustic intimacy from a brilliant great of a show.
2
Mama Tried
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

Like all your best friends sitting around the campfire, strumming and pickin' by starlight. Have a sip or a toke and enjoy....
4
Friend of the Devil
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

Really lovely here, part of one of the warmest, most intimate acoustic sets of 1970.
3
Not Fade Away
July 16, 1970
Euphoria Ballroom

Jerry and Bob bite down hard and tear into this one with muscle. Their interplay lightens up and whoops! We find ourselves in Stephen.
3
Candyman
July 16, 1970
Euphoria Ballroom

Anthemic beauty. Great ensemble singing and powerful pacing to it. Then Janis steps on stage for Love Light, so there's that.
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Comments

Sugaree
Aug. 21, 1972
Berkeley Community Theater

Tighter and stronger than a lot of the gnarly 15+ minute versions out there: This is a solid sweet rocker with a swinging pulse and just enough swagger.
He's Gone
Aug. 21, 1972
Berkeley Community Theater

This and the two versions right before are just top shelf. Seems like they'd hit a stride on He's Gone and enjoyed working it up to a higher level. The concentrated greatness reminds me somehow of Wharf Rat in the summer of '74 (if you don't know, then do please go and check that out...), or Dancing in the Streets in Fall '76.
Friend of the Devil
Aug. 21, 1972
Berkeley Community Theater

A funny mix, but it does allow you to hear Keith's master-class in honkytonk, which was too often a bit hidden in the SBDs of this era.
Black Throated Wind
Aug. 21, 1972
Berkeley Community Theater

May just be my favorite version. This one has it all.
The Other One
Aug. 20, 1972
San Jose Civic Auditorium

Listen to this now. Criminally under-rated here, maybe owing to the show's bad sound for the first tracks. This is a brilliant, exploratory and melodic jam that should be much more well-known. The AUD patch does not detract from the overall power of this one.
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