headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49742


Submissions

1
Bertha
Feb. 20, 1971
Capitol Theater

Still brand new. This just pops and crackles with energy. Great fun.
1
Hurts Me Too
Jan. 24, 1971
Seattle Center Arena

Deep Pig. Deep deep Pig.
1
Cold Rain and Snow
Jan. 22, 1971
Lane Community College

Not for audiophobes, cause it's like 10th-gen Maxell 120s, but every bit the '71 CR&S sound I love. Beneath the fuzz is a beauty.
9
Wharf Rat
Oct. 20, 1974
Winterland Arena

Tectonic jamming shifting out of WR back into Playin' of intricate interplay and staggering beauty.
10
Space
Oct. 19, 1974
Winterland Arena

Ripped out of future spacetime and unlike any other from the era. Sounds like they invented MIDI right on stage. Minds forever blown, I'm sure.

Comments

The Eleven
Jan. 17, 1970
Oregon State University

Hola deadheadben, didja finish with '70? I'm going through '72, which has highs and lows, but leaves something behind with the funky informality of the early years. Listened to this again and loved loved loved it. Peace, brother.
Knockin' On Heaven's Door
Feb. 25, 1990
Oakland-Alameda County Coliseum

Easy there brothers, there are many versions and we can line 'em up like dominoes, look at each one like votive saints, or something in between, being here now and all that. Is this one killer? Sure. But while you're at it, check out my personal fave from the unknown acoustic Rambler Room show Nov. 17, 1978. This beaut is a forgotten link between the acoustic, (gasp!) 1970 dead and the Radio City Reckoning we know and love and never heard again. Am I wrong? Is there another acoustic gem out there mid-90s? Let me know if you find it, and I'll dig it too.
Crazy Fingers
Feb. 28, 1975
Bob Weir's Studio

More '75 than you might think on the Archive if you dig into the rehearsal tapes. Nice call on the Floyd reference. An "all-muscle" Crazy Fingers is a perfect description of this experimental version - can you imagine if they'd kept this aesthetic and turned it into another white-knuckle hard number like TOO? What kind of lyrics would Hunter have penned? As it turns out, the Crazy Fingers we know and love is one of the most delicate poetic dreamscapes in the entire oeuvre, both lyrically and musically. How funny that they'd be working it through a totally different system. I'm about to embark on a deep '75 vibe... I can feel it coming.
Drums
July 21, 1972
Paramount Northwest Theater

Stronger than Dirt / King Solomon's Marbles ?!? Right at 2:00 Phil strums a little pattern that sounds familiar just for about four seconds. Maybe I'm crazy, (well of course I'm crazy), but it sounds like it to me.
Sugaree
Oct. 9, 1977
McNichols Arena

Nevermind! It seems like it's back and better than ever. THANKS HEADS.