headyversion

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Carrion_Crow

Stealth Head

+49712


Submissions

7
Goin' Down The Road Feelin' Bad
April 1, 1984
Marin County Veterans Auditorium

Steps out unexpectedly from an almost-aborted Miracle. Tight and right jamming.
6
Mexicali Blues
April 1, 1984
Marin County Veterans Auditorium

Jerry's restatements of the melody throughout his solos are brilliant uptempo marvels.
21
Playin' In The Band
June 14, 1976
Beacon Theatre

Beautiful, comprehensive statement of where Playin' was at in the beginning of the post-hiatus '76 sound. 20 minutes of love.
28
Might As Well
June 14, 1976
Beacon Theatre

Lotsa fun rocker with the louche touch becoming of the song. Did Donna ever sound better than Summer '76?
4
The Music Never Stopped
June 3, 1976
Paramount Theatre

This one's got the goods. Doesn't shred-out at the end, but tight playing, and great vocals all around.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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