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Carrion_Crow

Stealth Head

+49722


Submissions

3
Truckin'
Nov. 12, 1971
San Antonio Civic Auditorium

They come charging out of the gate to open a great, maybe underrated Texas tour. Great opener.
1
Playin' In The Band
Nov. 11, 1971
Atlanta Municipal Auditorium

If you can get past some severe tape wobble and speed issues, the mix is oddly clear and Jerry's ideas are just off the chain. Completists only.
15
Dark Star
Nov. 7, 1971
Harding Theatre

A short but fascinating star, starts way out, filled with melodicism and beauty, almost yearns for the TOO>MAMU to emerge out of it. Give it a chance.
6
Tennessee Jed
Nov. 7, 1971
Harding Theatre

Jerry's Strat sound is so perfect here. This whole show (and the 6th) highlight the sound of this era perfectly.
5
Beat it on Down The Line
Nov. 7, 1971
Harding Theatre

They're having a great time here, you can tell. Even the monitor problems are the source of fun.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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