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Carrion_Crow

Stealth Head

+49737


Submissions

2
Not Fade Away
Oct. 30, 1971
Taft Auditorium

Great interplay and hot jam in every combination in the birth month of the great quintet. Forgotten show.
4
Ramble On Rose
Oct. 30, 1971
Taft Auditorium

Not my favorite song, but this one rocks. Plus Jerry eviscerates a heckler after.
2
Tennessee Jed
Oct. 30, 1971
Taft Auditorium

Goddamned hard crunching rocker here. Jerry's guitar is so sharp it sounds like breaking glass (in a good way).
1
Playin' In The Band
Oct. 30, 1971
Taft Auditorium

They really push down on the 10/4 melodic form here, giving it a "The Main Ten" feel lost soon after. KG's 1st month is full of transition Playin's.
7
The Other One
Oct. 29, 1971
Allen Theatre

Masterpiece. The Jam out of drums into the first verse is inventive and exploratory, very subtle interplay. Totally overlooked. Dig it.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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