headyversion

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Carrion_Crow

Stealth Head

+49737


Submissions

3
Big Railroad Blues
Oct. 27, 1971
Onondaga War Memorial

A barnburner, charged up and powerful. Nice clear musical ideas throughout the jam.
3
Playin' In The Band
Oct. 27, 1971
Onondaga War Memorial

Like 10.23 this has a burning, agressive quality and hard-driving pulse that gives it huge horsepower. Playin's eternal metamorphosis on display here.
4
Tennessee Jed
Oct. 27, 1971
Onondaga War Memorial

Jerry's soloing throughout this one is fantastic, precise and rockin'.
2
Jack Straw
Oct. 27, 1971
Onondaga War Memorial

Nice version, band kicks into gear and sounds great, ironing out a few kinks in the mix earlier in the set. Early Keith show = dynamite stuff.
9
China Cat Sunflower -> I Know You Rider
Oct. 24, 1971
Easttown Theatre

Overlooked. No peace-and-love version, this is rock and freaking roll. The transition to Ryder is pure shredding genius.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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