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Carrion_Crow

Stealth Head

+49742


Submissions

1
Not Fade Away
March 21, 1971
Exposition Center

Murky AUD and incomplete show on IA, but a blaze of fun, this one. Has an itty-bitty Mountain Jam at 1:25 for about 12 seconds.
1
Good Lovin'
March 20, 1971
University of Iowa

Some rough spots coming back in, but a very interesting almost Santana-esque first jam and a great Pig groove. Interesting one.
12
Caution
March 18, 1971
Fox Theatre

Surprised it isn't here yet. Only one in '71 and it intensely musical and weirdly experimental. Crashes into a short feedback/tuning then a sweet UJB.
9
The Other One
March 18, 1971
Fox Theatre

Moves between super-charged hard rocker and an open-spaced delicate beauty. Marred by a cut, so how far did it really go? Anyone have the complete?
11
Wharf Rat
March 18, 1971
Fox Theatre

Soaring jam flirts with tipping into the outer void. Wild beauty with Pig on B3 gives it something extra.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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