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Carrion_Crow

Stealth Head

+49742


Submissions

6
Good Lovin'
Aug. 26, 1971
Gaelic Park

Doesn't go into a cool rap, like some '71s, but pretty f-in tight jam and a great mix, with everyone sounding great.
11
Hard to Handle
Aug. 26, 1971
Gaelic Park

Last one with Pig: A blasting sexy swagger with slow rising force like the Palladium one up top here. Listen past the tape problems and slow start.
3
Big Railroad Blues
Aug. 26, 1971
Gaelic Park

As good an introduction to '71 as you'll ever hear. Someone else help me here or I'm going to list every song in this show!
3
Sugaree
Aug. 26, 1971
Gaelic Park

Still brand new (7th ever) and it's got a lot of pump to it. This whole show is a forgotten treasure. C. Miller cleanup much improves the others.
13
Bertha
Aug. 26, 1971
Gaelic Park

As sweet and solid as they come: Opens a wonderful summer outdoor show in NYC. Surprised it isn't here yet.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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