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Carrion_Crow

Stealth Head

+49667


Submissions

47
Playin' In The Band
May 14, 1974
Adams Field House, U of Montana

Slower, moody and thoughtful with Phil and Jerry-driven explorations. Brief Slipknot tease at 8:20 and 13:50 and a cool Supplication tease at 9:30.
13
Truckin'
May 12, 1974
University of Nevada

Inventive and crystal clear jam, leading into a 'nobody's fault' jam and a killer TOO>MLB where the '74 sound is just taking shape. Underappreciated.
2
Tennessee Jed
Dec. 31, 1971
Winterland Arena

Brilliant, cracklin' good, fast, tight and fun.
3
Chinatown Shuffle
Dec. 31, 1971
Winterland Arena

Crackles with up-and-jumping energy. Great show all around showing off the best of the era with Pig and Keith.
21
Scarlet Begonias
June 9, 1976
Boston Music Hall

Some funky bass be-bop and beautiful chaos in order in chaos in the outro jams. Just exactly perfect.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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