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Carrion_Crow

Stealth Head

+49667


Submissions

9
St. Stephen
June 27, 1969
Veterans Auditorium

Worth it for the stoned giggles after the cannon shot alone. Part of a great '69 show filled with rare gems.
5
Casey Jones
June 27, 1969
Veterans Auditorium

2nd ever, with a long cool intro that sounds a bit like Row Jimmy. This one's a beaut from a show full of great rarities (Slewfoot opener!).
2
Me and My Uncle
June 27, 1969
Veterans Auditorium

Slow, clear version from a beautiful show placed right between the primal psychedelia and the emerging country Dead. Check it out.
6
Turn On Your Love Light
Feb. 20, 1971
Capitol Theater

Buried under some sound quality issues is a 25 minute epic with massive jams and a dollar and quarter Pig rap for the ages.
3
Caution
Feb. 5, 1970
Fillmore West

This will chop you into tiny pieces and put you back together again. Ballsy dark Dead from a cool show.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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