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Carrion_Crow

Stealth Head

+49667


Submissions

7
Playin' In The Band
Oct. 21, 1973
Omaha Civic Auditorium

Early Playin'>MHUT>Big River>Playin' sandwich. Worth it for the surprise bigbang key-changer from River into the wildassed 2nd Playin'.
5
Let It Grow
Oct. 21, 1973
Omaha Civic Auditorium

Liberated from the Horn Section, the boys let 'er rip. Standard fare until about 6:30, then Jer and Keith just explode into full immensity.
6
Cumberland Blues
Oct. 21, 1973
Omaha Civic Auditorium

Up and jumping, fast and precise version in spite of a few sound quality problems.
3
Black Throated Wind
Oct. 21, 1973
Omaha Civic Auditorium

Sound quality may prevent some from appreciating this show, but don't miss this one. Bobby gives it everything, everyone goes nuts behind him.
5
Sing Me Back Home
Sept. 26, 1973
War Memorial

Forgotten or overlooked, but melts-in-your-mouth sweet. More of a triumphant blues than the gospel beauties from '72.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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