headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

17
Samson and Delilah
May 7, 1977
Boston Garden

Never thought I'd dig this song so much. They're just so on this whole night (week actually).
12
Next Time You See Me
April 17, 1972
Tivolis Koncertsal

Simply amazing. Check out the video: http://www.youtube.com/watch?v=YyAOwP8dLqc
22
He's Gone
April 17, 1972
Tivolis Koncertsal

I love this version. It's got oomph and doesn't put you to sleep. http://www.youtube.com/watch?v=YyAOwP8dLqc for video.
12
Jack Straw
April 17, 1972
Tivolis Koncertsal

Great bumping version. Check out the video! http://www.youtube.com/watch?v=YyAOwP8dLqc for rare Europe '72 footage.
22
Fire On The Mountain
July 27, 1973
Grand Prix Racecourse

Embryonic "Fire" in the "soundcheck jam" into Wharf Rat. Not a full FTM, but of amazing Deadfulness and not listed elsewhere. Check it out!
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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