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Carrion_Crow

Stealth Head

+49667


Submissions

6
Mississippi Halfstep Uptown Toodeloo
July 27, 1973
Grand Prix Racecourse

The boys seem to love playing in unanounced, unstructred jams like this. Freedom reminiscent of some '67-69's but with the '73 songlist.
30
Sugaree
Dec. 16, 1978
Nashville Municipal Auditorium

Rippin' show opener with Bobby twang sliding and a 2nd Jerry solo taking it up and over the top. Plus its Nashville.
5
Big River
July 27, 1973
Grand Prix Racecourse

Turns typical 1st set filler into a great jam. One of Keith's best solos of Summer '73.
13
The Other One
July 1, 1973
Universal Amphitheatre

Cool and fast w/ 12min jam before 1st (and only) verse. At 08:30 Phil goes teases what sounds like Milking the Turkey. Is that possible?
9
Loose Lucy
July 1, 1973
Universal Amphitheatre

A greasy gritty super-funk sex parade. Wasn't often the Dead sounded this horny after Pigpen died.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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