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Carrion_Crow

Stealth Head

+49667


Submissions

45
Ripple
April 29, 1971
Fillmore East

Also just about pretty damn perfect too. Follows a super-macho Hard to Handle and the combination shows so much of the emotional breadth of the Dead.
7
Tomorrow Is Forever
Dec. 11, 1972
Winterland Arena

A sweet and rare country torch ballad showing off just what they were thinking bringing the Godchaux on board the bus.
48
The Other One
Aug. 6, 1971
Hollywood Palladium

Heavy and Heady. Starts with super-charged explosions then melts into ballsy MAMU in under 8 minutes. Love the '71s.
28
Truckin'
Aug. 6, 1971
Hollywood Palladium

Absolutely smokin' hard rocking swagger. Builds from a cool shuffle to a blisteringly hot rocker setting up Drums/TOO. Great show all around.
15
Me and Bobby McGee
Aug. 6, 1971
Hollywood Palladium

The band plays/signs together so well on this sweet one. The whole concert is brilliant.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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