headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

9
They Love Each Other
May 20, 1973
U.C.

Most rockin' version I know. The boys sound big and tight throughout this wonderful show.
18
China Cat Sunflower -> I Know You Rider
May 20, 1973
U.C.

Really tight and uptempo. Jerry sings through a cold, but energetic and inspired guitar work. Perfect transition into Rider.
9
Playin' In The Band
June 26, 1976
Auditorium Theatre

Complex and experimental around a Stephen>Wheel sandwich. Starts and ends in wild exhuberance, but has lots of spacebugs and dinosaurs in between.
3
The Wheel
June 3, 1976
Paramount Theatre

Was this the first Wheel ever? It rolls just so sweetly - not very long, but quite perfect
10
Scarlet Begonias
June 3, 1976
Paramount Theatre

Very tight, uptempo and deeply grooving. Check out Seamons' matrix for right tape speed. Even Donna's contributino is solid on this one.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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