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Carrion_Crow

Stealth Head

+49667


Submissions

7
The Race Is On
March 31, 1973
War Memorial

The most shit-kickinest version I know. Real swagger and Phil bombs early in the set.
12
Eyes Of The World
March 30, 1973
Rochester Community War Memorial

Strong version from a forgotten show. Whole second set on this show is SB, not AUD. Worth multiple listenings, great jazzy jam.
9
Playin' In The Band
March 30, 1973
Rochester Community War Memorial

An intense, tight, and blisteringly hot version in a forgotten show. DO NOT IGNORE! Archive is SB, not AUD w/ decent sound. Listen to it!
2
Bird Song
March 30, 1973
Rochester Community War Memorial

Listen through the murk of the AUD recording and you find a beautiful exploratory version. Headphones only.
38
Playin' In The Band
March 28, 1973
Civic Center

Intense energy and deep exploration coming after (!) a massive Dark Star and a shredding Eyes to close out one hell of a concert.

Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.