headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

17
Eyes Of The World
March 19, 1973
Nassau Coliseum

Tight and right, with beautiful jamming and solid groupthink throughout. Headphones only for archive version: HELP US ON THIS ONE CHARLIE MILLER!!!
10
Playin' In The Band
March 19, 1973
Nassau Coliseum

Headphones only (sound problems), but so worth it - liquid crystal lightning Jerry jaming at it's best. Deserves many listens.
2
Tennessee Jed
March 19, 1973
Nassau Coliseum

Archive copy sounds like its recorded through a tin can, but excellent groove, jam. For headphones only.
6
China Cat Sunflower -> I Know You Rider
March 19, 1973
Nassau Coliseum

High energy! Please oh please where are the better sound quality versions? Where are the boards?
17
Morning Dew
March 16, 1973
Nassau Coliseum

Massive and powerful. Jerry and Keith are just brilliant. OK, that all from me on this great show.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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