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Carrion_Crow

Stealth Head

+49677


Submissions

5
The Other One
Nov. 16, 1970
Fillmore East

Whether it's the 16th or 23rd, it's a killerdillerthriller. Ripping version, with a perfect transition from Truckin'.
2
Big Railroad Blues
Nov. 16, 1970
Fillmore East

Energy and power that struts its stuff. This show seems direly overlooked. Very nice mix and sound quality.
5
China Cat Sunflower -> I Know You Rider
Nov. 16, 1970
Fillmore East

Beautiful jam and transition. The mix shows off Bobby nicely, which is rare for the era. His contribution is beautiful here. Enjoy.
2
King Bee
Nov. 16, 1970
Fillmore East

Sultry swaggering deeply opiated vibe, with a hot harp solo. Was this Pig or Will Scarlet?
3
Cold Rain and Snow
Nov. 16, 1970
Fillmore East

Exceptional version, slightly mellower tempo, with great harmonies and tight jamming. Surprised it's not here yet.

Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.