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Carrion_Crow

Stealth Head

+49687


Submissions

3
China Cat Sunflower -> I Know You Rider
Oct. 23, 1970
McDonough Arena - Georgetown University

Fun, tight version with great energy and tight vocals. Fun stuff.
1
Hard to Handle
Oct. 23, 1970
McDonough Arena - Georgetown University

Begins sounding like the epic hard charging beast it becomes over the next months.
2
Not Fade Away
Oct. 17, 1970
Cleveland Music Hall

The NFA>GDTRFB>NFA sequence in its infancy: 3rd time played, and remarkably smooth and perfect transitions with exuberant jamming.
3
The Other One
Oct. 17, 1970
Cleveland Music Hall

Super-charged hard rocker here. Hits all the 1970 highlights, with power and precision: a white knuckler. Tape is rough AUD, w/ C. Miller cleanup.
2
Hurts Me Too
Oct. 17, 1970
Cleveland Music Hall

One of Pig's best: Perfect vox, great harp solo. Jerry too. Some tape issues, but thanx Mr. Miller... thanks a lot.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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