headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49687


Submissions

2
El Paso
July 14, 1970
Euphoria Ballroom

Very mellow cowboy ballad, like the great Nov. 8th '70 above. Check 'er out. They were experimenting with it here.
3
Black Peter
July 14, 1970
Euphoria Ballroom

Beautiful acoustic version. The whole first set is one exquisite jewel after another.
3
Dark Hollow
July 14, 1970
Euphoria Ballroom

After some rowdy banter the good old GD pull out a magical beauty here. Acoustic fans shouldn't overlook this one!
6
Friend of the Devil
July 14, 1970
Euphoria Ballroom

Pretty unknown show, but this FoTD is just perfect. Some sound issues around the edges, but here Jer's voice is angelic and sweet.
2
Cold Rain and Snow
July 12, 1970
Fillmore East

One of the under-appreciated masterpieces of the Dead canon, this one stretches out nicely. Mellow, but adventurous. Love this one.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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