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Carrion_Crow

Stealth Head

+49707


Submissions

4
Alligator
July 10, 1970
Fillmore East

One of the lasts, and they're undoubtedly still jamming the shit out of it. Listen to them come out of drums and the head sez "pray it's not NFA" !!!
4
Easy Wind
July 10, 1970
Fillmore East

Pressure cooker here, just bursting with energy. Pig sounds great, Jerry goes full throttle. AUD quality B only, but worth every second.
2
China Cat Sunflower -> I Know You Rider
June 13, 1970
Red Vest

Souped up high voltage versions here. The CC has that rippin' '69 energy and the vocals throughout nail it.
6
Playin' In The Band
June 7, 1970
Fillmore West

The Main Ten. Primordial Playin' groove. This is the deep Dead here. Powerful.
4
Not Fade Away
June 6, 1970
Fillmore West

Continuing on 48 minutes of the immortal "kitchen sink" jam, this one holds its own to any other of the era.
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Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.
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